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Horace
Swaby aka Augustus Pablo was born in 1954, St. Andrew,
Jamaica.
Augustus Pablo, jamaican musician and producer, is died 18
tuesdays May 1999 in a hospital of Kingston to the age of 45
years; he leaves his wife Karen, the two sons Addis and
Isis, the brother Garth, the sister Claudia and the Buelah
mother.
He suffered for a long time from cancer but he had always
refused, in harmony with the Rasta doctrine, the amputation
of the sick leg to the aim to avoid to propagate of the
evil; other sources assume that Pablo, although he suffered
from diabetes, had not never accepted to cure himself with
the insulin; he had always prefer natural remedies and a
massive use of chalice.
Surely Horace Swaby - AKA Augustus Pablo - is still one of
the main references of the Roots-reggae, and this not only
for the peculiarity of its sound and the beauty of its
productions but for raise the humble melodica in an
instrument able to catch up a deep and sincere sense of
spirituality.
Its sweet melody and its innovative agreements have
influenced the Rockers style of 70's and inspired musicians
of various origin, include early 90's english roots
movement.
He debut is of 1971 with the cut Iggy Iggy recorded for
Randy. Then he recorded for many great jamaican producers:
Lee "Scratch" Perry, Joe Gibbs, Yabby You, Winston Riley,
Derrick Harriot, Bunny Lee and Gussie Clarke.
In spite of that, its own productions (Hot Stuff, Rockers
and Message) those that have had the greater impact on the
world-wide public reggae.
Beyond playing with the brother Garth his sound system,
Rockers Hi-Fi, Augustus Pablo began to produce cuts for
singers and djs: Hugh Mundell, Big Youth, Dillinger, Junior
Delgado in late 70's and Yami Bolo, Johnny Osbourne and Earl
Sixteen later.
The contribution of Pablo to the Reggae music is very
important. Its debut is of the 1974 with This is Augustus
Pablo, follows Thriller and Ital Dub, King Tubby Meets
Rockers Uptown - masterpiece of 1976 - has been followed two
later years from its first entire instrumental: East of the
River Nile.
To this splendid album, which follow other smash hit the two
compilations Original Rockers and Hugh Mundell 's Africa
Must be Free and Blowing With the Wind. Then he was
dedicated to of compiiations of its first jobs whose more
recent is Valley of Jehosaphat.
Perhaps a fragile and esile physicist and a schivo and
classified character explain because its tour were always
sporadic and because in the last years it went away
definitively from the great public; in spite of that he
could himself often be met to Kingston in its Rockers
International Shop in Orange Street.
Blessed everytime!
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